Save this storySave this storySave this storySave this story I often receive condolence-type calls, e-mails, and texts about Haiti. Many of these messages are in response to the increasingly dire news in the press, some of which echoes what many…
Save this storySave this storySave this storySave this story At a glance, not much appears to connect Minhal Baig’s “We Grown Now” and Theda Hammel’s “Stress Positions.” Baig’s feature, her third as a writer and director (after “1 Night” and…
Save this storySave this storySave this storySave this story Gifts from ancestors take the darndest forms. Mine included a tamarind tree, the tallest and most magnificent in our yard. My grandfather’s grandfather—a tall, corpulent Indian, prone to indulging in fine…
Save this storySave this storySave this storySave this storyYou’re reading the Food Scene newsletter, Helen Rosner’s guide to what, where, and how to eat. Sign up to receive it in your in-box. In 2015, when the great glassy tower that…
Save this storySave this storySave this storySave this story The American road-trip narrative is often marked by violence. In films such as Ridley Scott’s “Thelma & Louise” (1991), Terrence Malick’s “Badlands” (1973), and Oliver Stone’s “Natural Born Killers” (1994), acts…
Save this storySave this storySave this storySave this story Watch Julio Torres’s Director’s Commentary. Sourse: newyorker.com Rate this item:1.002.003.004.005.00Submit Rating No votes yet. Please wait…
Save this storySave this storySave this storySave this story Tyler FoggattSenior Editor You’re reading the Goings On newsletter, a guide to what we’re watching, listening to, and doing this week. Sign up to receive it in your in-box. Don’t be…
Save this storySave this storySave this storySave this story Simply getting to the almost totally sold-out monster hit “Macbeth” in Washington, D.C., which has already been staged in Liverpool, London, and Edinburgh, contains its own, particular adventure. Produced in the…
Save this storySave this storySave this storySave this story “The power to change one’s life comes from a paragraph, a lone remark,” James Salter wrote in his 1975 novel, “Light Years.” An encounter with a single “slender” line of writing,…
Save this storySave this storySave this storySave this story For decades, I’ve cherished the 1933 comedy-drama “Man’s Castle” as a gem of classic Hollywood, and one that succeeds in uniting rare romantic refinement and harsh, Depression-scarred candor. It’s set mainly…